The Great Vintage Guitar Myth

Les_paul_1222105465_640x480
How do instruments automatically achieve a kind of irresistible cachet just because they’ve clocked up a bit of mileage?

Once upon a time a 1958 Fender Stratocaster was just a second-hand guitar; now, it’s a holy relic. Let’s face it, the vintage instrument market has become VERY silly over the last 20 years or so, with investors all over the world hoovering up any old six string with a few dings, wrinkles and a six figure price tag… But what’s the appeal? How …

Login to read the rest of this story!

Subscribe to FeedbackFeedback

LeftRightSign_up_now

soup dragon Sep 21, 2009 6:07pm

Male_50x50

Absofuckinglutely. If someone tells me that they can tell the difference between an old & a vintage guitar with a clean amp setting at medium volume in their living room, maybe I will believe them. But after it's gone through effects, loud amps, unshielded circuitry, out through a speaker cone, into a mic, through a PA pre-amp, out to the mixing desk, back to the stage, through more amps, out of a PA & over the heads of a noisy audience - nobody can tell the difference. The acoustics of the room make far more difference then the age of the guitar. And don't forget that most of Jimi's best playing was done on those "unplayable" CBS era strats. And even if vintage kit was better, this quote sums it up for me. "People put too much emphasis on equipment. Some of the best playing I've ever done has been on the worst possible equipment." Junior Brown


David Mead Sep 30, 2008 5:52pm

Dm-fylde_1251032254_50x50

If you want to comment in full, Plunker, go over to the forum - I'd be interested to hear your views (being primarily an acoustic player myself these days!)


Plunker Sep 26, 2008 6:16pm

Male_50x50

I could not agree more with your conclusion - the sound is largely in the hands of the guitarist. But your scope is limited to electric guitar, and I do believe a distinction can be made for acoustic guitars. As organic items, a well made acoustic guita